Wednesday, April 3, 2024

Beyond Roads’ Withering

 ~ based on the piece Old and Lost Rivers, by composer Tobias Picker



I'd rather not write about those everyday things
of the South down here. There's something else
that has taken hold of me, as if recall or imagining.
It's about old and lost rivers, of antediluvian character.
I might have seen them, or this might be a dim vision.
Other things gather around my thoughts of slow waters.
Maybe old sunlight echoing from a long path of lilies,
begonias, and soft camellias glowing under a vast halo.

It's best to wander down your mind and on into Louisiana.

A weary river is shrunken by years and idles past old Hope Manor.
Loons stand in shallows, and from depths a fish wrinkles the surface.
Warmth in air has come from under slow clouds' summer momentum.
The season has settled here halfway between dogwoods and autumn.

Beyond roads' withering come the faint trails
of vagrant, leaning grasses. Odd shadows delve
under trees toward lost rivers' moss-hued reveries.
Dragonflies weave their complex fabric of ennui
out of silences hung in time. Beyond roads' fading,
lost rivers are hidden, flowing with ambivalence,
odors, and goggling eyes below cypress water roots.

There is no one there to know a lost river.
It moves by itself, lapping the primitive bank.
And who knows if even a ghost can find it?
But I sense the narrow river and its weariness.
I float it in vision and need, as if I'm searching
for someone also lost in a murkiness of liquid.

A last breath comes to all things that breathe.
Yet time continues with a halo of mourning.
Maybe the lost dead can be sought beyond paths,
in the wildest durations of forgotten river moods.

Beyond roads' withering, things become uncanny.
Sometimes I think Southerners hold a few ounces
of slowing light when we die and then disappear.
We ride the air as a quivering above mossy silence,
going down a lost river, gleaming on dragonfly wings.


~ TB

Friday, March 29, 2024

Old Jaffa


Moments come that are not a viewing.
They are a listening into tones of light.
When the sun calls, the noise of seeing
faints behind an aural synesthesia.

Light works into substances, vibrating
into shadows of shadows, sounding angles
until the eyes change to different senses.

Bundles of light-sung shapes rise
as cubes of time holding echoes
touching echoes that interfere
and become complex harmonies.

This light pleads into structures, pulling
sentiments deeper than clayey sediments.
Light trembles into a liminal mood.

Ballads of sun in matter can build
staggered tones of momentous world.
Octaves glow as sung vignettes rising
beneath the Old Tragedian's eye.

Architecture dreams under the sun,
its memories refracting into gold.
While just looking at a photograph,
imagination hears unexpected vision.

I have never been to Old Jaffa.
I will never go to Old Jaffa, but...

I went anyway into a photograph of Old Jaffa,
a boat's view of the harbor becoming hillside
and a hundred buildings of staggered mystery
in the light glaring an ecstasy and absence.

I walk stunned through narrow streets,
an old quarter filled with sibilant tongues
that speak of glimmering fish, of heat
and of things I could never imagine.
Many sun-burnt ghosts brush past,
moving through a dream of Jaffa.
I will not leave until the sun goes.

This maze of houses swallows me in shadows
until I make it back to the harbor, to the railing.
I stare toward the far water changing its colors.
The afternoon brings an epigram on the wind:
being lost is better than ever being found.

Sunset now a gong rippling out its gold abysses.

The long waves curl like her tresses...
and I will never walk in Old Jaffa.


~ TB

Tuesday, March 12, 2024

Lost in a Chinese Night


Yesterday, I had an actual reverie. An official daydream, approved and stamped by a shadowy bureaucracy in charge of dubious precincts of time.

I keep thinking about that reverie. I think it lasted for only a few moments, yet those moments were stretched into a different form or quality of duration. Those few moments seemed to last an incredibly long while.

I was afoot and moving at night through a town or village somewhere in China. This night was dynamic and clangorous with bodies, faces, trumpets, dogs, chimes, flags, leashed monkeys, and neon signs buzzing unknowable ideograms.

But the faces! Everywhere faces. Peculiar, probing, insinuating, alarming faces.

The streets (some paved) were coming and going at odd angles and refuted any possibility of destination. The houses and other buildings were close to the streets and were all built in the old Chinese manner, with curving, sweeping roof lines. Asian trees spread their perfumed branches. Traditional lanterns glowed here and there, like the pale heads of forlorn ghosts.

The sense of utter and bedazzled alienation took my daydreaming breath away.

Those faces! People swerving up to me, close to my nose, wide-eyed, gesticulating, staring with the expression of vaguely threatening hieroglyphs. Faces that were, in contrast to my own, completely at home in this world.

There was no point to this reverie. It was simply a divergent moment stretched out into forbidden space. If Carl Jung was still alive, perhaps I'd drop in on him, to ask about this dark tumbling into a town or village of my subconscious hysteria. To find out the reason why I tumbled there. To discover what form of psychological ruin this episode was a foreboding or what form of spiritual talent this episode was a possible presentiment. 


~ TB (2013)

Thursday, December 21, 2023

Tuesday, November 21, 2023

Dylan cover by Cat Power


“Like a Rolling Stone” (Live at the Royal Albert Hall)



Sunday, October 8, 2023

“A human being is here”

A poem by Jon Fosse, the new Nobel Prize Winner for Literature.

I seem to detect a written atmosphere or resonance that reminds me of Beckett and of Tranströmer. I find this poem to be astonishing, but further commentary by me would be annoying and superfluous.

https://www.poetryinternational.com/en/poets-poems/poems/poem/103-17534_A-HUMAN-BEING-IS-HERE




Monday, July 17, 2023

Taylor Swift…

 …is the most startling, high-quality songwriter since Bob Dylan, Lennon-McCartney, Joni Mitchell, John Fogerty, and Elvis Costello.

This is jaw-dropping excellence. What an amazing musical creator (lyricist and melodist) and what an admirable soul this young woman possesses! 

I’m in a kind of quiet, appreciative awe about this remarkable musician.